William Golding - Lord of the Flies

Born in 1911, Golding was the son of an English schoolmaster, a many-talented man who believed strongly in science and rational thought. Golding often described his father's overwhelming influence on his life. The author graduated from Oxford University in 1935 and spent four years (later described by Golding as having been "wasted") writing, acting,. and producing for a next small London theater. Golding himself became schoolmaster for a year, after marrying Ann Brookfield in 1939 and before entering the British Royal Navy in 1940.
Golding had switched his major from to English literature after two years in college a crucial change that marked the beginning of Golding's disillusion with the rationalism of his father. The single event in Golding's life that most affected his writing of Lord of the Flies, however, was probably his service in World war II. Raised in the sheltered environment of a private English School, Golding was unprepared for the violence unleashed by the war. Joining the Navy, he was injured in an accident involving detonators early in the war, but later was given command of a small rocket-launching craft. Golding was present at the sinking of the Bismarck—the crown ship of the German Navy—and also took part in the D-Day landings in France in June 1944. He later described his experience in the war as one in which “one had one’s nose rubbed m the human condition. After the war Golding returned to teaching English and philosophy at the same school where he had begun his teaching career. During the a nine years, from 1945 until 1954, he wrote three novels rejected for their derivative nature before finally getting the idea for Lord of the Flies after reading a bedtime boys adventure story to his small children. Golding wondered out loud to his wife whether it would be a good idea to write such a story but to let the characters "behave as they really would." His wife thought that would be a "first class idea." With that encouragement, Golding found that writing the story, the ideas for which had been germinating in his mind for some time, was simply a matter of getting it down on paper.
Lord of the Flies
William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition

Larry Watson - Montana 1948 - 185p

Larry Watson was born in 1947 in Rugby, North Dakota. He grew up in Bismarck, North Dakota, and was educated in its public schools. He received his BA and MA from the University of North Dakota, his Ph.D. from the creative writing program at the University of Utah, and an honorary Doctor of Letters degree from Ripon College. Watson has received grants and fellowships from the National Endowment for the Arts (1987, 2004) and the Wisconsin Arts Board.
Montana 1948
A young Sioux woman tossing with fever on a cot; a father begging his wife for help; a mother standing uncertainly in her kitchen with a 12-gauge shotgun: from these fragments of memory, evoked by the narrator as the novel opens, Watson builds a simple but powerful tale. It is Montana in 1948, and young David Hayden's father, Wesley, is sheriff of their small town--a position he inherited from his domineering father. Wesley is overshadowed by his older brother, Frank, a war hero who is now the town doctor. When Marie, the Sioux woman who works for the Haydens, fall ill, she adamantly resists being examined by Frank. Some probing reveals that Frank has been molesting the Indian women in his care. Wesley's dilemma--should he turn in his own brother?--is intensified when Marie is found dead and David confesses that he saw his uncle near the house before she died. The moral issues, and the consequences of following one's conscience, are made painfully evident here. Watson is to be congratulated for the honesty of his writing and the purity of his prose. Highly recommended.

Arundhati Roy - The God of Small Things

Arundhati Roy was born in 1961 in Bengal, India, and grew up in Kerala. She got her degree in architecture from the Delhi School of Architecture, but became a screenwriter instead, writing scripts for movies and television in India. She lives in Delhi with her husband, film-maker Pradeep Kishen.

Her first novel, The God of Small Things (1997), won the prestigious Booker Prize and became an international best-seller. The book, which took Roy five years to write, is not strictly autobiographical, but she says “the sadness of the book” * has stayed with her, and that she may never write another novel.
The God of Small Thing
With sensuous prose, a dreamlike style infused with breathtakingly beautiful images and keen insight into human nature, Roy's debut novel charts fresh territory in the genre of magical, prismatic literature. Set in Kerala, India, during the late 1960s when Communism rattled the age-old caste system, the story begins with the funeral of young Sophie Mol, the cousin of the novel's protagonists, Rahel and her fraternal twin brother, Estha. In a circuitous and suspenseful narrative, Roy reveals the family tensions that led to the twins' behavior on the fateful night that Sophie drowned. Beneath the drama of a family tragedy lies a background of local politics, social taboos and the tide of history?all of which come together in a slip of fate, after which a family is irreparably shattered. Roy captures the children's candid observations but clouded understanding of adults' complex emotional lives. Rahel notices that "at times like these, only the Small Things are ever said. The Big Things lurk unsaid inside." Plangent with a sad wisdom, the children's view is never oversimplified, and the adult characters reveal their frailties?and in one case, a repulsively evil power?in subtle and complex ways. While Roy's powers of description are formidable, she sometimes succumbs to overwriting, forcing every minute detail to symbolize something bigger, and the pace of the story slows. But these lapses are few, and her powers coalesce magnificently in the book's second half. Roy's clarity of vision is remarkable, her voice original, her story beautifully constructed and masterfully told.

André Brink - A Dry White Season 320p. -The Other Side of Silence320p. - An Instant in the Wind 250p.

Andre Brink was a South African writer whose novels were often criticized by the South African government. Brink was educated in South Africa and France. He later became a professor of Afrikaans and Dutch literature at Rhodes University in Grahamstown, South Africa. In essence, this meant depicting sexual and moral matters and examining the political system in a way that rapidly antagonized the traditional Afrikaner reader. His novels presented increasingly bleak and bitter evidence of the disintegration of human values that occurs under apartheid. A Dry White Season, 1969, a white liberal investigates the death of a black activist in police custody. A Chain of Voices, 1982, recounts through many points of view a slave revolt in 1825. Brink's works were well received abroad, but two were banned from South Africa. Those books were Looking on Darkness and A Dry White Season. he determined to involve himself in the opposition to apartheid, and his books have explored both the temptations of exile and the compulsion to return to South Africa and oppose the racist government. His novel Kennis von dle Aand (Looking on Darkness) was banned in 1974 and he responded by beginning to write in English as well as Afrikaans.
A Dry White Season
A heart gripping, eye watering, investigation about two innocent victims tortured and put to death by political powers. This detective story raises many important issues about political abuse and political lies that have been recently common in the United States of America, "the land of the free." One of the most significant issues in the story is about enforcing laws that hurt not only the ones being tortured and killed but also the entire society who becomes captive of its government through fear. This is a very strong and powerful story, complete with excitement, suspense, drama, comedy and love; making it a great combination to facilitate the introduction of important issues and at the same time keep the reader intrigued while using humor and love to lighten-up the tension of the reader.
The Other Side of Silence
Hanna X is a young German woman who, after years of abuse in a Bremen orphanage, escapes to her country's colonies in southwest Africa, only to be even more badly brutalized--mutilated, even--by the men she has volunteered to serve. Disfigured and mute, she is banished to Frauenstein, a desert asylum for broken, unwanted women. When Hanna saves frail young Katja from the violent advances of a drunken soldier by beating him to death, her silent rage comes alive and the tenor of Brink's story shifts from suffering to revenge. Forming a militia from the scarred victims of colonial oppression, natives and immigrant women alike, Hanna declares war on the Reich itself, organizing attacks on German desert outposts and ultimately coming face-to-scarred-face with the persistent shadows of her childhood--as well as the man responsible for her horrible disfigurement. This is familiar territory for Brink, a South African whose explorations of violence, memory, and apartheid have won him praise and media attention. His latest proves provocative by evoking these themes within the unconventional setting of German colonialism.
An Instant in the Wind

In Brink's hands, in 1750, a naive but spirited white woman from the Cape accompanies her Swedish explorer husband into the upmapped interior, only to find herself alone when the husband dies and the Hottentot retainers head for the hills.

She is found by a runaway slave, Adam, who for reasons of his own agrees to set off with her to the Cape.

Brink vividly describes the country through which they must travel. Against its physical presence, the couple become lovers. All of this is good fun. Brink was writing at a time when black/white relationships were forbidden under apartheid law. Indeed, the book for a while was banned. He delivers us a vintage love story, full of sex and spirit. (Funny how Coetzee, 25 years later when inter-racial sex is no longer verboten, sees the politics of such relationships in an entirely different way).

Laird Konig - The Little Girl Who Lives Down the Lane

"This has to be one of the most exciting books ever! I had discovered this book when I was 15 yers old and did a book report on it. I was so gratful they made a movie out of it, though I have to say the book is much better than the movie. "The little Girl Who Lives Down The Lane" is suspensful, scary, and yet compassionate. Take it from me, this is a great book. I hated to read and I havn't stopped talking about this book! I am now 41 years old and just now finding this book to read it again. Every teenager will love it." a reader
Personally, I thought the film was as amazing as the novel and Jodie Foster is excellent (she was 13 then!). Teacher.

Dee Brown - Bury my Heart at Wonded Knee

Dee Brown's Bury My Heart at Wounded Knee was first published in the United States in 1970. This landmark book ”which incorporated a number of eyewitness accounts and official records” offered a scathing indictment of the U.S. politicians, soldiers, and citizens who colonized the American West. Focusing mainly on the thirty-year span from 1860 to 1890, the book was the first account of the time period told from the Native-American point of view. It demonstrated that whites instigated the great majority of the conflicts between Native Americans and themselves. Brown began searching for the facts about Native Americans after he met several as a child and had a hard time believing the myths about their savagery that were popular among white people. Brown published his book a century after the events took place, but it was a timely publication, since many U.S. citizens were already feeling guilty about their country's involvement in the Vietnam War. Brown's book depicted, in detail, the U.S. government's attempt to acquire Native Americans' land by using a mix of threats, deception, and murder. In addition, the book showed the attempts to crush Native-American beliefs and practices. These acts were justified by the theory of Manifest Destiny, which stated that European descendents acting for the U.S. government had a God-given right to take land from the Native Americans